The cubist artist Robert Delaunay was fascinated by the Eiffel Tower, and during his life he painted the famous French tower time and again, as you can see below:
Read this text about one of Delaunay's drawings and answer the questions:
Robert Delaunay
The Tower
(1911) (inscribed 1910)
Ink and pencil on paper
21 1/4 x 19 1/4" (53.9 x 48.9 cm)
The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund
The Tower
(1911) (inscribed 1910)
Ink and pencil on paper
21 1/4 x 19 1/4" (53.9 x 48.9 cm)
The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund
As
the world’s tallest monument at the time, the Eiffel Tower was for Delaunay a
symbol of both modernity and masculinity, and he depicted it time and again. He
was among the first artists to focus on this Parisian landmark as a subject.
Rather than represent the Eiffel Tower from one view, Delaunay’s drawing uses
rhythmically placed lines and patterns to capture his experience of the tower
from multiple perspectives.
The
drawing is an example of Delaunay’s engagement with the dynamic architecture of
Paris at the turn of the 20th century. The Eiffel Tower was just one of the
exciting public projects undertaken during an era that would later be described
as the Belle Époque (French for “beautiful era”). In comparison to the horrors
of World War I that would follow it, the Belle Époque was a time of peace,
invention, and intense art production for France and its neighbors.
QUESTIONS
QUESTIONS
1.
Which was the tallest monument at the time that Delaunay made this drawing?
2.
The Eiffel tower was for Delaunay a symbol of modernity, why?
3. Explain
whether or not Delaunay's drawing of the Eiffel Tower is very realistic.
Support your answer with evidence from the text and drawing.
4.
Write some characteristics of the Belle Époque from the text.
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